Here’s what here/queer/modernist out in the world [wide web]:
Well, it certainly seems to have been a very Carl Van Vechten week. Not everyone might be pleased with the latest Edward White biography, but it has certainly seemed to spark a lot of reinterest in his life and his work. Here’s a rundown of some CVV things that appeared this last week:
Most substantial was White’s long essay for The Paris Review, which specifically focuses on his relationship with Gertrude Stein: “Stein knew how crucial Van Vechten was to her career—not merely in the practical aspects of getting her work into print, read, and discussed, but in helping create and disseminate the mythology that surrounds her name. ‘I always wanted to be historical, almost from a baby on,’ Stein freely admitted toward the end of her life. ‘Carl was one of the earliest ones that made me be certain that I was going to be.’”
Two things I never expected to have to write in the same sentence: Carl Van Vechten made an appearance on Craigslist this last week. Here in San Francisco first edition copies of Music and Bad Manners (1916) and Interpreters and Interpretations (1917), owned by the same family for nearly a century, showed up on the popular classifieds website. Place in the “if I had a spare $600 just lying around…” file.
“Carl Van Vechten: Photographer to the Stars” is an exhibition opening this week at Cedar Rapids Museum of Art, the local museum of CVV’s hometown. It features a collection of photographs that CVV himself donated to the museum in 1946 and which was later augmented by his estate, and runs through September 7.
This spotlight topic at glbtq.org this month is the Harlem Renaissance, which features a number of queer modernist luminaries, including Langston Hughes, Nella Larsen, Countee Cullen, and, of course Van Vechten himself. Why Richard Bruce Nugent, the most overtly out of this circle doesn’t have his own page at this point, however, remains something of a mystery.
City Light Books will be publishing a 50th anniversary edition of Frank O’Hara’s Lunch Poems, which was first published in 1964 as part of the publisher’s famous Pocket Poet Series. The new edition will feature a forward by O’Hara’s friend, the poet John Ashbury. The also point to a feature over at The Atlantic regarding the collection, as well as a reading of the entire book taking place in New York City on June 11.
Modernist Cultures has just released their May 2014 issue, with a focus on modernism and dance. Featuring Nijinsky (of course), Josephine Baker, Pavlova, Massine, etc, etc.–can’t wait to dive into this! (Not sure what the access issues are, email me if you’re having issues.)
An essay titled “Kleist’s Cycle of Consciousness: Modeling Identity in Djuna Barnes’ Nightwood” by Karen Lively has been posted by The California Journal of Women Writers, a publication I clearly need to start paying attention to.
What did I miss? Please let me know!