Unfortunately updates to this blog for the foreseeable future will (likely) be few and far between. But it’s for a good reason: work on my thesis has resumed!
It’s been slow going, and progress occurs more on some days than others, but I’ve been working hard to develop daily writing habits that finally seem to be paying off (key to this has been joining an online academic writing group, which I should write about here). And overall it has just felt great to note the expanding page count of an initial chapter draft. Also exciting is that a trip to do archival research is going to happen sometime next spring.
In the meantime, just wanted to note that I have posted another paper up on my academia.edu account. I’ve always been proud of this particular piece of scholarship, which was initially written for a seminar on American autobiographical writing, and then was slightly revised for submission to my graduate program’s annual peer-reviewed published journal.
The paper focuses on several texts by Samuel M. Steward (particularly the 1984 novel Parisian Lives, the sociological study Understanding the Male Hustler, and the memoir Chapters from an Autobiography) and attempts to grapple with a number of thorny issues, including the nature of autobiography, what happens when autobiography is fictionalized, and the historical necessity for queer individuals to employ pseudonyms and falsify specific details regarding their identity even when dealing with life writing. And all of these issues become particularly fascinating within the context of Steward’s intentionally unorthodox oeuvre.
I recently uploaded another paper on my academia.edu account, a polished up and slightly revised version of a presentation I made at the 2010 MPCA/ACA (Midwest Pop Culture Association / Midwest American Culture Association) conference held in Minneapolis, MN.
It’s on Twilight. Yes, the YA vampire series that was all the rage a few years ago.
And why post about such a thing here?
Well, because the whole purpose of the presentation was to consider how many of the preoccupations exhibited on this site relate to this text and the character of Edward Cullen. I briefly outline the history of the vampire as a queer metaphor, contextualize the fetishization of beauty (and marble statues!) in the Victorian “cult of beauty” movement, consider the “sad young man” figure and the prominence of “twilight” in pre-Stonewall representations of gay life as identified in the work of Richard Dyer, and finally the ambiguous on-and-offscreen persona of Robert Pattinson and the nuanced ways his star-text might be interpreted by a contemporary gay audience member. What’s even more fascinating? That I don’t think any of these dynamics were intended by author Stephenie Meyer!
This whole project started off as a bit of an in-joke between friends, and then it turned out to be perhaps the single most warmly received piece of scholarship I’ve yet produced (funny how that works). It’s not at all the paper I would write if I was undertaking it again today, but I still have a great deal of affection for it, which is why I’ve decided to dig it back out after all this time and send it out into the world.
Thought I would break this period of extended radio silence (*sigh*) to mention that I will be presenting some research from my thesis at this year’s annual PAMLA conference. It will be taking place in Portland, OR, from November 6-8, and I present on a panel during the first session on Saturday morning. If anybody reading this is also attending, please stop by and say hello!
Here’s the info and my presentation abstract. Additional information (including abstracts for the full panel), can be found here.
Cruising at the Intersection: The Queer Collaborative Authorship of The Young and Evil Jesse Ataide, San Francisco State University
“What kind of discoveries are made possible when two gay men confront each other?” Christopher Hennessy asks, “with the acknowledgment of a shared sexual desire lurking there?” This paper considers how queer content in Charles Henri Ford and Parker Tyler’s 1933 novel The Young and Evil reflect a strategy of “cooperative discourse” that compels a reconsideration now only of the concept of authorship, but also how friendship, intimacy, and creative cooperation can function between queer men.”
I finally got around to posting a sample of my academic work over at Academia.edu. The paper is “I Like Detectiving Almost as Much as Writing:” Detectives Gertrude Stein and Alice B. Toklas in the Work of Samuel M. Steward,” a very well-received conference paper I presented during “The Other Detective II” panel at the Pacific Ancient and Modern Language Association (PAMLA) conference in San Diego, November 1, 2013.
The paper was a response to a short passage in Justin Spring’s magisterial biography Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo, and Sexual Renegade (2010):
“At the suggestion of Michael Denneny, a pioneering gay editor at St. Martin’s Press in New York, Steward then set to work on a series of mystery novels featuring Gertrude Stein and Alice Toklas as sleuths. The writing of these light entertainments would take up the final years of Steward’s life, with Murder is Murder is Murder published in 1985 and The Caravaggio Shawl in 1989, but they were disappointing works of fiction, weakly plotted and of little value even to those interested in the lives of Stein and Toklas” (397).
I read both of these novels and found them quite delightful, and was rather stunned by Spring’s complete dismissal of their value. This was my attempt to understand what I found so interesting, compelling–and ultimately quite resonant–about these so-called “disappointing works of fiction.”
The paper can be found here, and my Academia.edu profile here.