Wishing I was in New York City this time next week: lectures and a screening is taking place at Brooklyn’s Morbid Anatomy Museum centering around issues of queerness in H.D. and Jean Epstein’s cinematic writing and filmmaking practice.
Here is an excerpt from the event’s webpage, which can be found in its entirety here:
H.D. and Jean Epstein: Queer Modernism, Spectatorship, and The Specimen
Date: Friday, May 16th
Time: 8:00 PM
Voluntary Donation: $8 (but tickets must be procured beforehand to present at door)
Tonight, join us at the Morbid Anatomy Museum in Brooklyn to consider two queer film theorists alongside one another: the French filmmaker Jean Epstein, and the Anglo-American poet H.D. Both wrote prolifically about cinema in the interwar period, and both were filmmakers as well as critics. Both privileged the visual and tactile sensations that cinema offers its viewer. And, perhaps most interestingly, both evince a keen interest in the idea of cinema—as well as the cinematic spectator—as a specimen: a body subjected to a probing, scientific gaze.
In addition, see the event’s Facebook page and the Facebook page for the Morbid Anatomy Museum. The Museum seems to be opening in a new space this month–check out its website for more information. From the information provided, it reminds me of the wonderfully whimsical Museum of Jurassic Technology in Los Angeles.
I addition, I am familiar with both Gerstner and Herzog’s work, and, frankly, I would attend this event just to hear them present even if I didn’t find the topics under discussion so fascinating in and of themselves.
Hope the proceedings from this event are made available after the fact for those of us on the wrong side of the country!