I recently uploaded another paper on my academia.edu account, a polished up and slightly revised version of a presentation I made at the 2010 MPCA/ACA (Midwest Pop Culture Association / Midwest American Culture Association) conference held in Minneapolis, MN.
It’s on Twilight. Yes, the YA vampire series that was all the rage a few years ago.
And why post about such a thing here?
Well, because the whole purpose of the presentation was to consider how many of the preoccupations exhibited on this site relate to this text and the character of Edward Cullen. I briefly outline the history of the vampire as a queer metaphor, contextualize the fetishization of beauty (and marble statues!) in the Victorian “cult of beauty” movement, consider the “sad young man” figure and the prominence of “twilight” in pre-Stonewall representations of gay life as identified in the work of Richard Dyer, and finally the ambiguous on-and-offscreen persona of Robert Pattinson and the nuanced ways his star-text might be interpreted by a contemporary gay audience member. What’s even more fascinating? That I don’t think any of these dynamics were intended by author Stephenie Meyer!
This whole project started off as a bit of an in-joke between friends, and then it turned out to be perhaps the single most warmly received piece of scholarship I’ve yet produced (funny how that works). It’s not at all the paper I would write if I was undertaking it again today, but I still have a great deal of affection for it, which is why I’ve decided to dig it back out after all this time and send it out into the world.
So if interested, take a look at the rather cumbersomely titled That Ever-Elusive Object of Desire: Gay Spectatorships and Male Objectification in “Twilight”.